Korean traditional characters found in the literature
Character
- Year of Production
- 2021
- Content Type
- Character
- Target Age
- all
- Product Type
- Others
- Production Stage
- IP
- Detailed Genre
- Edutainment
Summary
- Restoration of the characters in the Okru and the Okru that remain only in the literature and are lost in the real world
- Based on the literature, our unique character design considering cultural characteristics, material color, etc
- Differentiated from existing characters who were scary, ugly, or had a Western face
- Separate head, body, and arms to give movement to static characters
- Commercialization of Korean traditional characters (figure, key ring, postcard, hanbok, etc.)
- Intellectual property (design) registration completed
1. Duodenum (rat, cow, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, dog, pig)
2. The Bodhisattva of all directions (Cheongryong, Baekho, Jujak, Hyeonmu)
3. Fairy Award (Fourth Lady)
4. Warrior
- Based on the literature, our unique character design considering cultural characteristics, material color, etc
- Differentiated from existing characters who were scary, ugly, or had a Western face
- Separate head, body, and arms to give movement to static characters
- Commercialization of Korean traditional characters (figure, key ring, postcard, hanbok, etc.)
- Intellectual property (design) registration completed
1. Duodenum (rat, cow, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, dog, pig)
2. The Bodhisattva of all directions (Cheongryong, Baekho, Jujak, Hyeonmu)
3. Fairy Award (Fourth Lady)
4. Warrior
Company Profile
Immersive Content
DALBBANG CREATIVE Co.,Ltd.
Dalbbang Creative is a 3-year-old startup that plans spaces based on storytelling.
We pursue spaces with stories, and we breathe life into spaces through stories.
By combining various experiential technologies, we amplify the emotion of the story and provide a new level of spatial experience.
Some may still be unfamiliar with space planning and space storytelling, but the reason we put stories in space is because we hope that the people who stay there will be happier.
“We create spaces with stories and spatial stories. “It’s space telling.”
We pursue spaces with stories, and we breathe life into spaces through stories.
By combining various experiential technologies, we amplify the emotion of the story and provide a new level of spatial experience.
Some may still be unfamiliar with space planning and space storytelling, but the reason we put stories in space is because we hope that the people who stay there will be happier.
“We create spaces with stories and spatial stories. “It’s space telling.”
